{"id":4168,"date":"2006-06-29T14:48:48","date_gmt":"2006-06-29T05:48:48","guid":{"rendered":"http:\/\/takahashi-imac.local:8888\/wordpressJimp\/tmp\/20060629-4168.html"},"modified":"2017-02-20T14:49:43","modified_gmt":"2017-02-20T05:49:43","slug":"voidmodulelist","status":"publish","type":"page","link":"https:\/\/maintenance.psoft.co.jp\/en\/product\/void\/voidmodulelist\/","title":{"rendered":"Modules"},"content":{"rendered":"\r\n

GENERATOR<\/h2>\r\n
\r\n
\r\n \"\"<\/a>\r\n <\/div>\r\n
\r\n

Wav File Oscillator<\/h3>\r\n

\r\n WAV file oscillator allowing the specification of loop points.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"Draw<\/a>\r\n <\/div>\r\n
\r\n

Draw Oscillator<\/h3>\r\n

\r\n Draws waveforms on a 32-step graph.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"Oscillator\"<\/a>\r\n <\/div>\r\n
\r\n

Oscillator<\/h3>\r\n

\r\n A monophonic oscillator.\r\n <\/p>\r\n

Handles 7 types of waveforms: Sin(x2), Tri, Saw (up, down), Pulse and Noise. Allows the specification of Portamento and Note Shift. Also has a FM input and oscillator sync input\/outp<\/p>\r\n <\/div>\r\n

\r\n \"ADSR<\/a>\r\n <\/div>\r\n
\r\n

ADSR Envelope<\/h3>\r\n

\r\n An ADSR envelope generator.\r\n <\/p>\r\n\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"LFO\"<\/a>\r\n <\/div>\r\n
\r\n

LFO<\/h3>\r\n

\r\n A low frequency oscillator.\r\n <\/p>\r\n

Often used as a modulation source to add timbre modifications. Supports 3 waveforms (Triangle, Pulse and Random) with adjustable frequency and amplitude level.<\/p>\r\n <\/div>\r\n

\r\n \"SWP\"<\/a>\r\n <\/div>\r\n
\r\n

SWP (Scratch Wav Player)<\/h3>\r\n

\r\n WAV file player with scratch function.\r\n <\/p>\r\n

Plays loaded WAV files in various conditions such as normally, with changed pitch, in reverse, scratched, etc.\r\n*Supports uncompressed WAV files.<\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"TTS\"<\/a>\r\n <\/div>\r\n
\r\n

TTS (Text to Speech)<\/h3>\r\n

\r\n A voice synthesis module based on the Microsoft Speech API (SAPI 5.1).\r\n <\/p>\r\n

*Requires the presence of SAPI5 or of a SAPI5 compatible voice synthesis engine.<\/p>\r\n

Reads text entered in the text input area and outputs it. (Reading is performed by the SAPI5 voice synthesis engine).<\/p>\r\n <\/div>\r\n

\r\n \"VCA\"<\/a>\r\n <\/div>\r\n
\r\n

VCA<\/h3>d\r\n

\r\n A voltage-controlled amplifier.\r\n <\/p>\r\n

Controls the volume of the input. Can control the output's envelope curve based on the CV input and add a fixed value to the output through the OFFSET.<\/p>\r\n\r\n <\/div>\r\n<\/div>\r\n

SEQUENCER<\/h2>\r\n
\r\n
\r\n \"16step<\/a>\r\n <\/div>\r\n
\r\n

16step Analog Sequencer<\/h3>\r\n

\r\n Can be synchronized to the host's BPM.
Multiple sequencers can also be synchronized together.\r\nAvailable range: 41-180 BPM.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

MIXER<\/h2>\r\n
\r\n
\r\n \"4in<\/a>\r\n <\/div>\r\n
\r\n

4in 1out Mixer<\/h3>\r\n

\r\n A mixer with four stereo inputs and 1 stereo output.\r\n <\/p>\r\n

<\/p>\r\n <\/div>\r\n<\/div>\r\n

VISUAL<\/h2>\r\n
\r\n
\r\n \"Scope\"<\/a>\r\n <\/div>\r\n
\r\n

Scope (Linear, FFT, Spectrum)<\/h3>\r\n

\r\n A visualization oscilloscope.\r\n <\/p>\r\n

Allows the visualization of the input signal with 3 different display modes: Linear, FFT and Spectrum.<\/p>\r\n <\/div>\r\n<\/div>\r\n

MIDI<\/h2>\r\n
\r\n
\r\n \"VSTPlug\"<\/a>\r\n <\/div>\r\n
\r\n

VSTPlug<\/h3>\r\n

\r\n Module used to load external VST plug-ins.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"MTV\"<\/a>\r\n <\/div>\r\n
\r\n

MTV (MIDI to Value)<\/h3>\r\n

\r\n Converts MIDI messages to signals.\r\n <\/p>\r\n

Converts the MIDI\u3000data input to a signal based on the specified MIDI notes or MIDI Control Change (CC) numbers. Can be used to create a drum kit controlled by the keyboard or to build a CC controller, for example.<\/p>\r\n\r\n <\/div>\r\n<\/div>\r\n

FILTER<\/h2>\r\n
\r\n
\r\n \"Multimode<\/a>\r\n <\/div>\r\n
\r\n

Multimode Filter
(LP\/HP\/BP\/Notch)<\/h3>\r\n

\r\n Supports 4 filter types (Low Pass, High Pass, Band Pass and Notch Filter) with adjustable cutoff frequency and resonance. The cutoff frequency and resonance can also be modulated by external signal inputs.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"Dynamic<\/a>\r\n <\/div>\r\n
\r\n

Dynamic Filter<\/h3>\r\n

\r\n A multimode filter that interacts with the input signal's dynamics.\r\n <\/p>\r\n

Changes the cutoff frequencies of the external input signal with the ability to adjust the ranges of the attack, release and resonance settings.<\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"Formant<\/a>\r\n <\/div>\r\n
\r\n

Formant Filter (X-Y PAD)<\/h3>\r\n

\r\n A voice formant filter.\r\n <\/p>\r\n

Adds features corresponding to the sounds of vowels produced by the human voice to the input signal. The formant frequency can be adjusted using the X-Y pad.\r\n*The X-Y pad can also be used as an independent X-Y pad controller.<\/p>\r\n <\/div>\r\n<\/div>\r\n

EFFECT<\/h2>\r\n
\r\n
\r\n \"Distortion<\/a>\r\n <\/div>\r\n
\r\n

Distortion \/ Overdrive<\/h3>\r\n

\r\n Choose between distortion or overdrive effect. Adjustable drive and feedback levels.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"Compressor\"<\/a>\r\n <\/div>\r\n
\r\n

Compressor<\/h3>\r\n

\r\n Controls the dynamics of the original signal, such as its attack.\r\nAdjustable input and output gains, threshold level, ratio, as well as attack and release times.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"Reverb\"<\/a>\r\n <\/div>\r\n
\r\n

Reverb<\/h3>\r\n

\r\n Adds a reverberation effect to the original signal (such as the echo in a hall).\r\nAdjustable reverberation time, early reflection, color, filter and stereo settings.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"Chorus<\/a>\r\n <\/div>\r\n
\r\n

Chorus \/ Franger<\/h3>\r\n

\r\n Adds spread and thickness to the original sound.\r\nAdjustable time, depth, feedback and stereo settings.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"Pitch<\/a>\r\n <\/div>\r\n
\r\n

Pitch Shifter<\/h3>\r\n

\r\n Shifts the pitch of the original sound up or down.\r\nAdjustable crossover level, etc.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"Dynamic<\/a>\r\n <\/div>\r\n
\r\n

Dynamic Pitch Shifter<\/h3>\r\n

\r\n Pitch shifter applied to the dynamics of the input signal.\r\n <\/p>\r\n

Changes the pitch of the original sound and the level of the input signal. Able to produce scratching sound effects similar to those heard when playing vinyl records.\r\nAdjustable pitch modification extent, attack and release.<\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"Vocoder\"<\/a>\r\n <\/div>\r\n
\r\n

Vocoder<\/h3>\r\n

\r\n Mixes two input signals to produce robotic voices or other effects.\r\nAdjustable resolution.\r\n <\/div>\r\n

\r\n \"Delay\"<\/a>\r\n <\/div>\r\n
\r\n

Delay<\/h3>\r\n

\r\n An analog-style delay\/echo.\r\n <\/p>\r\n

Creates delay and produces spacy echo effects.\r\nThe delay time and feedback can be modulated by external signals.<\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"LoFi\"<\/a>\r\n <\/div>\r\n
\r\n

LoFi<\/h3>\r\n

\r\n Controls the bit depth and sampling frequency to intentionally generate low fidelity effects. Depending on the shaping, extremely dramatic results can be obtained.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

DYNAMICS<\/h2>\r\n
\r\n
\r\n \"Beat<\/a>\r\n <\/div>\r\n
\r\n

Beat Detector<\/h3>\r\n

\r\n Detects the beat using a low-pass filter and generates a matching trigger signal\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

SYNTHESIZER<\/h2>\r\n
\r\n
\r\n \"SHX<\/a>\r\n <\/div>\r\n
\r\n

SHX Analog Synth<\/h3>\r\n

\r\n Analog modeling synthesizer module with monophonic and polyphonic modes.\r\n <\/p>\r\n

Allows you to create harmonic compositions.<\/p>\r\n <\/div>\r\n<\/div>\r\n

MISC<\/h2>\r\n
\r\n
\r\n \"Knob\"<\/a>\r\n <\/div>\r\n
\r\n

Knob<\/h3>\r\n

\r\n A separate, general purpose knob control module consisting of a knob and a label.\r\n <\/p>\r\n <\/div>\r\n

\r\n \"Slider\"<\/a>\r\n <\/div>\r\n
\r\n

Slider<\/h3>\r\n

\r\n A separate, general purpose slider control module consisting of a slider and a label.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n

\r\n
\r\n \"Blank<\/a>\r\n <\/div>\r\n
\r\n \"Blank<\/a>\r\n <\/div>\r\n
\r\n \"Blank<\/a>\r\n <\/div>\r\n
\r\n

BlankPanel Single,Double,Quad<\/h3>\r\n

\r\n BlankPanel Single: Single-sized blank panel module.
\r\nBlankPanel Double: Double-sized blank panel module.
\r\nBlankPanel Quad: Quad-sized blank panel module.\r\n <\/p>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\n","protected":false},"excerpt":{"rendered":"

GENERATOR Wav File Oscillator WAV file oscillator allowing the specification of loop points. Draw Oscillator Draws waveforms on a 32-step graph. Oscillator A monophonic oscillator. Handles 7 types of waveforms: Sin(x2), Tri, Saw (up, down), Pulse and Noise. Allows the specification of Portamento and Note Shift. Also has a FM input and oscillator sync input\/outp ADSR Envelope An ADSR envelope generator. LFO A low frequency oscillator. Often used as a modulation source to add timbre modifications. Supports 3 waveforms (Triangle, Pulse and Random) with adjustable frequency and amplitude level. SWP (Scratch Wav Player) WAV file player with scratch function. Plays loaded WAV files in various conditions such as normally, with […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":3790,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-custom-void.php","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-4168","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"sow-carousel-default":false},"uagb_author_info":{"display_name":"TakahashiSei","author_link":"https:\/\/maintenance.psoft.co.jp\/en\/news\/author\/author5\/"},"uagb_comment_info":0,"uagb_excerpt":"GENERATOR Wav File Oscillator WAV file oscillator allowing the specification of loop points. Draw Oscillator Draws waveforms on a 32-step graph. Oscillator A monophonic oscillator. Handles 7 types of waveforms: Sin(x2), Tri, Saw (up, down), Pulse and Noise. Allows the specification of Portamento and Note Shift. Also has a FM input and oscillator sync input\/outp…","_links":{"self":[{"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/pages\/4168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/comments?post=4168"}],"version-history":[{"count":5,"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/pages\/4168\/revisions"}],"predecessor-version":[{"id":5621,"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/pages\/4168\/revisions\/5621"}],"up":[{"embeddable":true,"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/pages\/3790"}],"wp:attachment":[{"href":"https:\/\/maintenance.psoft.co.jp\/en\/wp-json\/wp\/v2\/media?parent=4168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}